Adèle Charvet en Florian Caroubi: Franse liederen · Het Concertgebouw, Amsterdam · Tue, 23 Feb 2027

Adèle Charvet en Florian Caroubi: Franse liederen

Date: Tuesday, 23 February 2027 · Start: 20:15

Venue: Het Concertgebouw · Amsterdam

Your visit

Go to this concert together

Going on your own? Open a plan and someone can come along.

How does this work?
  1. 1.You open a plan and say what you have in mind. One line is enough.
  2. 2.Anyone else going joins in one click. No request, no approval.
  3. 3.Inside the plan you agree where and when. You can leave whenever you want.

Meeting someone new

  • Arrange to meet inside the venue or at the entrance — never at someone's home or another location.
  • Anyone can read a plan. Do not put your address, phone number or bank details on it.
  • Never pay a stranger up front for a ticket. Buy through the official seller.

More about going together

Lineup

Venue

Het Concertgebouw

Concertgebouwplein 2-10

1071 LN Amsterdam

Het Concertgebouw on Amsterdam's Museumplein is one of the most celebrated concert halls in the world, ranking alongside Carnegie Hall in New York, Symphony Hall in Boston and the Musikverein in Vienna for the quality of its acoustics. The building dates back to a decision made in September 1881, when six Amsterdam citizens formed a provisional committee to solve a genuine problem: the city had no proper concert hall. The Park Hall in the Plantage district was about to be demolished, the Felix Meritis building was too small, and Amsterdam's Crystal Palace had notoriously poor sound. Architect Adolf Leonard van Gendt drew on the Gewandhaus in Leipzig as his model, and construction started in 1883 on what was then open farmland just outside the city limits in Nieuwer Amstel, requiring more than 2,100 wooden piles driven twelve to thirteen metres into the soft Amsterdam soil.

About Adèle Charvet

French mezzo soprano Adèle Charvet has a knack for the unexpected: on a single October evening in 2019, she stepped in at the last minute during intermission to replace an ailing countertenor in Handel's Messiah, had twenty extra minutes to decipher the score, and walked away with a standing ovation.

Read more about Adèle Charvet
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updated 09 Oct 2026